Toadies - No Deliverance

“There’s a certain uneasiness to the Toadies,” says Vaden Todd Lewis, succinctly and accurately describing his band—quite a trick. The Texas band is, at its core, just a raw, commanding rock band. Imagine an ebony sphere with a corona that radiates impossibly darker, and a brilliant circular sliver of light around that. It’s nebulous, but strangely distinct—and, shall we say incorrect. Or, as Lewis says, “wrong.”

“Things are done a little askew [in the Toadies],” he says, searching for the right words. “There’s just something wrong with it that’s just really cool… and unique in a slightly uncomfortable way.”

This sick, twisted essence was first exemplified on the band’s 1994 debut, Rubberneck (Interscope). An intense, swirling vortex of guitar rock built around Lewis’s “wrong” songs and abstract lyrics—like the smash single “Possum Kingdom,” subject to as much speculation as what’s in the Pulp Fiction briefcase, it rocketed to platinum status on the strength of that and two other singles, “Tyler” and “Away.”
Perhaps in keeping with the uneasy vibe, that success didn’t translate to label support when the Toadies submitted their second album, Feeler. Perhaps aptly, things in general just went wrong. “We got approval for a record,” says Lewis, “and somewhere in the process of handing over the masters to get mixed, it got unapproved. So we went back to the drawing board.”

Eventually some of the Feeler tracks made it onto Hell Below/Stars Above—a sophomore offering that came seven years after Rubberneck. “It was a very weird, trying time,” says Lewis, who didn’t see the next blow—the sudden departure of bassist Lisa Umbarger—coming. “We went out on tour, and immediately the band split up,” he laughs sardonically. “We kinda shot ourselves in the foot.” They released a live album, Best of Toadies: Live from Paradise, and it was over.

Coming out of the Toadies, Lewis, guitarist Clark Vogeler and drummer Mark Reznicek were disillusioned. Vogeler went to work as a film editor, Rez hooked up with the country-western band Eleven Hundred Springs. Lewis initially thought, “Fuck this whole business. I’m gettin' out. I just wanted to do anything else.”

Toadies fans, though accepting, stuck with them, often inquiring as to the band’s activities. Says Lewis, “People just asked me “So, what are you doin’ now?” Although he’d been “foolin’ around” with Rev. Horton Heat drummer Taz Bentley, he answered, “I don’t know. Nothin’. This, that and the other. Workin’ around the house, workin’ in the garage, just toolin’ around.” Soon it occurred to him that music was all he wanted to do. “I’m a musician. That’s what I do, and I’m not happy not doing it.”  Eventually Lewis and Bentley formed the Burden Brothers in 2002 and released a slew of EPs, two albums and a DVD while touring profusely.

Meanwhile, “Possum Kingdom” never left the airwaves, enjoying constant rotation at major modern rock stations. Fans clamored for a Toadies reunion. “The band never went all the way away;” says Lewis. They regrouped in 2006 for a couple of sold-out shows around St. Patrick’s Day, and again the next year for the same thing. In August 2007, when personnel changes with the Burden Brothers resulted in that band going on hiatus, Lewis began writing.

“I was pissed off again and wanted to keep goin’,” he says. “I didn’t know what I was writing, right out of the gate, but… it was just coming out very “Toadies.”

Lewis called Rez and Vogeler and asked if they were interested in making another record. They were—and the Toadies officially reconvened, signing with Kirtland and recording No Deliverance with David Castell (Burden Brothers, Blue October) at Fort Worth Sound in Fort Worth and Music Lane in Austin. Lewis says the band has gone for a “bare knuckle” sound, amping up the psychotic stomp heard on Rubberneck and Hell Below… on the grinding, relentless title track as well as the seething, death-of-a-romance gem “So Long Lovey Eyes” and the towering, sludgy “Man of Stone.” The upshot is a taut, exhilarating listen that is quintessentially Toadies.

Lewis is stoked on “the freshness of this new record. Getting back into this, back into the feel of the Toadies, is cool. Lewis, Rez, Vogeler and new bass player Doni Blair (Hagfish, Only Crime) are optimistic that their indie incarnation will succeed, thanks to the support of their devout fans—and equally supportive label. “The music industry has changed so much,” says Vogeler. “A band like us can be on an independent label and still get the music out to the people who want to hear it.”

The Toadies are now free to pursue success on their own merit and muscle. And things are starting off nicely: On August 2, The Toadies will play Lollapalooza and, following the album’s release, they’ll embark on a nationwide tour offering old fans and those to come—as he recently told SPIN, “Balls. A ton of balls.”

“Getting back to the bare knuckles element of the Toadies,” continues Lewis, “is what I really enjoy, after being away from it for so long.” Vogeler and Rez concur. “I’m here and still doin’ it,” furthers Vogeler, “because the music’s good.” And Rez proclaims in his thick Texas drawl, “The Toadies are back in business.”

And suddenly, everything wrong is right.


in stores August 19.

On tour this Fall.
Aug 21 2008 8:00P
Click’s Tyler, Texas
Aug 22 2008 8:00P
The Palladium Dallas, Texas
Aug 23 2008 8:00P
Northgate Music Festival College Station, Texas
Aug 26 2008 8:00P
The Warehouse Shreveport, Louisiana
Aug 27 2008 8:00P
The Varsity Theater Baton Rouge, Louisiana
Aug 29 2008 8:00P
Verizon Wireless Theater Houston, Texas
Aug 30 2008 8:00P
The Pavilion at Concrete Street Corpus Christi, Texas
Aug 31 2008 3:00P
(first annual) Dia De Los Toadies @ Possum Kingdom Lake Graham, Texas
Sep 3 2008 8:00P
Stubb’s Waller Creek Amphitheatre Austin, Texas
Sep 4 2008 8:00P
Stubb’s Waller Creek Amphitheater Austin, Texas
Sep 6 2008 8:00P
Dos Amigos Odessa, Texas
Sep 8 2008 8:00P
The Brickhouse Theater Phoenix, Arizona
Sep 9 2008 8:00P
Belly Up Tavern Solana Beach, California
Sep 11 2008 8:00P
Roxy Theatre Los Angeles, California
Sep 13 2008 8:00P
House of Blues Anaheim, California
Sep 14 2008 8:00P
House of Blues Las Vegas, Nevada
Sep 16 2008 8:00P
Slim’s San Francisco, California
Sep 17 2008 8:00P
Boardwalk Sacramento, California
Sep 19 2008 8:00P
Showbox Market Seattle, Washington
Sep 20 2008 8:00P
Hawthorne Theatre Portland, Oregon
Sep 21 2008 8:00P
Knitting Factory Concert House (formerly known as Big Easy) Boise, Idaho
Sep 23 2008 8:00P
Belly Up Aspen, Colorado
Sep 24 2008 8:00P
Gothic Theater Englewood, Colorado
Sep 25 2008 8:00P
Lonestar Events Center Lubbock, Texas
Sep 26 2008 8:00P
Midnight Rodeo Amarillo, Texas


Download Card Tracklisting
1.  So Long Lovey Eyes
2.  Nothing To Cry About
3.  No Deliverance
4.  I Am a Man of Stone
5.  Song I Hate
6.  Flower
7.  Hell In High Water
8.  Don't Go My Way
9.  One More
10. I Want Your Love